Tuesday, March 31, 2020
That Writing Course?
Anybody want to try that flash fiction course? It looks pretty straightforward. They asked for my name and email address, which did not seem too onerous. A prominent Unsubscribe option at the bottom of each of the three emails I have received so far.
For where I sit, it looks pretty good!
Bill
https://learn.flashfictionmagazine.com/p/free-course
For where I sit, it looks pretty good!
Bill
https://learn.flashfictionmagazine.com/p/free-course
Monday, March 30, 2020
Okay, okay -- I'm sorry for the short posts
Man, reading this blog backwards has been a real eyeopener. Sometimes I find that reading a journal or old writing is like reading someone else's work. I don't know, maybe I'm not that person any more, or maybe once I've written it, it goes out of my head -- room for new stuff.
In response to your post, Bill, SEE ME FEEL ME TOUCH ME HEAL ME, I commented (not only on your lack of a cellphone) but about a story called "The Last Poet and the Robots" -- which has suddenly flooded back into my mind. Weird, what titles will do for you... Anyway, you responded with the discovery that it is part of a serial novel written by 17 different authors, called Cosmos, which was published in a small Fanzine from July of 1933 to January of 1935 or thereabouts. And now there's a website for it called The Cosmos Project: https://cosmos-serial.com/
I don't know if we could get 17 authors to do it, but what do you think? Should we try a serial novel sometime?
Okay, I'm going to go read or fall asleep or something. Today was not terribly productive except that I got to talk to students and try to sell them on the beauty of Much Ado About Nothing. Did you guys ever read any more of the Hogarth Shakespeare books. Hag-Seed by Margaret Atwood kicked ass, and I have Jo Nesbo's Macbeth sitting here waiting to be read. Okay, okay... Good night.
In response to your post, Bill, SEE ME FEEL ME TOUCH ME HEAL ME, I commented (not only on your lack of a cellphone) but about a story called "The Last Poet and the Robots" -- which has suddenly flooded back into my mind. Weird, what titles will do for you... Anyway, you responded with the discovery that it is part of a serial novel written by 17 different authors, called Cosmos, which was published in a small Fanzine from July of 1933 to January of 1935 or thereabouts. And now there's a website for it called The Cosmos Project: https://cosmos-serial.com/
I don't know if we could get 17 authors to do it, but what do you think? Should we try a serial novel sometime?
Okay, I'm going to go read or fall asleep or something. Today was not terribly productive except that I got to talk to students and try to sell them on the beauty of Much Ado About Nothing. Did you guys ever read any more of the Hogarth Shakespeare books. Hag-Seed by Margaret Atwood kicked ass, and I have Jo Nesbo's Macbeth sitting here waiting to be read. Okay, okay... Good night.
I owe Tom some time...
I just went back and read a few posts I hadn't read before. Tom, I'm sorry that it took me more than three years to read your description of your trip to Ireland. It's quite beautiful and should be somewhere more public with the pictures and the video of you singing "Four Green Fields." Also, the comments from Mike in September and October of 2016, which is either right after or right before his diagnosis, are extraordinary in their prescience.
Sorry it took me so long to read all that.
I'll write something new soon.
Rob
Sorry it took me so long to read all that.
I'll write something new soon.
Rob
Sunday, March 29, 2020
Looking Backward
I remember the bars and the jokes, the stranger's eye caught once and never once again.
The world I knew grown distant and strange, seen through transmissions increasingly delayed.
I'd always wanted to try space travel.
Confinement
Confinement
Stuck inside
They say
For a few weeks
A month, a year
Missing touches
And hugs
Petrified sometimes
The time to myself
My own
The fan is on for company
Not as lonely as I thought—
Dreams and phone calls
March 29, 2020
Jackson Heights
Minor Revelations
Meanwhile, Wright got into a muddle with his
boss at the Science Museum, Bromley, an “out-and-out bully,” who would allow
Wright to work on the Mechanism only in his free time and with virtually no
access to the data already collected. (“We don’t let children play with
grenades,” Wright remembers a colleague scoffing not quite out of earshot.)
This meant that while Wright’s wife would go on holiday with their children to
exciting locales, Wright would travel year after year to the museum in
Budapest, which contained the context that Wright thought essential to
understanding the Mechanism. Eventually, after years of this routine, he and
his wife divorced and soon lost touch.
Later, as Wright toiled in obscurity at a
rural American university, he was delighted to learn that Bromley, much beloved
and feted, was dying of rectal cancer. Wright flew to see him in Cambridge, and
Bromley, as an olive branch from a dying man settling his affairs, handed over some
as-yet-unpublished data on the Mechanism, insultingly minor revelations, they seemed to Wright, not contained in one of
Bromley’s prize-winning monographs. Bromley was dead
by the end of August, and the newly-invigorated Wright set about on his life’s
work.
Back in America, he was able to work freely,
albeit intermittently given his teaching load, through that fall and winter,
despite the distance between himself and the Science Museum, between himself
and Budapest. Although he lacked the energy of his youth and, indeed, suffered
from a socially-significant chronic ailment (chronic, explosive diarrhea), he
began to think of himself as the world’s foremost living authority on the
Mechanism, an assessment not shared by anyone else. He considered that the
Mechanism had been bequeathed to him by Bromley in some fundamental but
unstated way.
In April, however, he learned of a new
research team based in Bath and the effort to take a new set of internal scans
of the Mechanism. Enraged, Wright saw this as an improper encroachment on his
own turf. “There is a long-established, unwritten law concerning the study of
pre-Anatolian antiquities,” he wrote in a blistering open letter, “which is
that while one researcher has access to the primary material, any other
researcher is denied access until the first has finished.” His letter remained
unpublished and unacknowledged despite Wright’s best efforts.
In June, Wright hurried back—traveling
agonizingly and with several changes of clothes—by car, train, bus, airplane,
bus, train, and taxi to the Science Museum, a place he remembered ambivalently
despite his seventeen years of employment. But he was too late; the Bath
group’s fully-authorized tunneling positron scans had been completed ahead of
schedule and the research team had already dispersed. Wright’s behavior and bedraggled
appearance caused Museum security to follow him at a discreet distance; their
official report stated that he seemed “a possible hazard to himself.”
He stayed on at the Science Museum for the
summer, requesting and then subsequently demanding unsuccessfully the results
of the Bath group’s scans, but the troubles with his digestion continued. He
chalked it up to stress, but the CT scan he had waited for eleven weeks to have
thanks to National Health’s byzantine triage process revealed advanced colon
cancer. On his way out, he happened to run into a former grad school classmate
whom Wright remembered may or may not have been hired by Bath. They did not
have the chance to talk.
The cancer moved aggressively despite
treatment, and Wright was dead before the end of August. The Mechanism,
inscrutable to the end, consumed his final conscious thoughts.
A Reboot of This Old Shared Blog
Gentlemen:
Under the rules of quarantine, we are required to write and share creative pieces during this worldwide crisis. Hey, I don't make the rules...
So here is our old shared blog. I didn't need to make changes: you are all already contributors to it. That is, you can both post your own stuff as well as respond to the work of others (I hope).
I have asked you in emails about fiction in particular, but, as you can see from our previous work, we ranged widely and were mostly working thorough life stuff. So post whatever you want. How does that sound?
Bill
Under the rules of quarantine, we are required to write and share creative pieces during this worldwide crisis. Hey, I don't make the rules...
So here is our old shared blog. I didn't need to make changes: you are all already contributors to it. That is, you can both post your own stuff as well as respond to the work of others (I hope).
I have asked you in emails about fiction in particular, but, as you can see from our previous work, we ranged widely and were mostly working thorough life stuff. So post whatever you want. How does that sound?
Bill
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